Category Archives: Paintings

Update on Native American Dancer #2

I began the next phase of the Native American Dancer by making a color sample to work out the colors I would use to block in the first layer of over- painting (lower left corner of the photo).   I ended up with Cadmium Red Hue, and darkened this with the Vivid Lime Green for the folds of the shirt.

The skin tones were Burnt Sienna and White, and the buckskin pants were Yellow Oxide, Cadmium Yellow Medium, and White.  The sky is Cobalt Blue, White and a touch of Raw Umber to get the gray clouds.   This was all done with #12 and #14 soft round brushes.

I developed the dancer’s posture and light and dark areas of the clothing.   Next, I’ll lightly sandpaper the dancer and grass with 220 grit sandpaper and start refining the details of the hat, necklace, and face before moving to the shirt and pants.

The layout, under-painting and first layer of the over-painting went quickly, but the details will take up the bulk of the time.  I’m often asked “How long did this take to paint?”, so I’m tracking all of the hours spent on a log.  Thirty one hours to date!

New Painting Started

I started to paint another Native American dancer this week.  The photo was taken at a Pow-wow in September, 2010.  The work is 36” X 48” and my second largest work to date.

I rolled and scraped three coats of gesso on the canvas, then scaled up the photograph onto several sheets of Bristol Board.  I transferred this drawing to tracing paper, and laid the tracing paper over the canvas.  I made a piece of homemade carbon paper by rubbing a #2 pencil all over a small piece of tracing paper, and lay this under the larger tracing paper.  I used a #2 pencil to outline the large areas on the tracing paper, moving the “carbon paper” along as I worked.  Light pressure will produce  a light pencil line on the gessoed canvas.  I don’t use commercial carbon paper because the imprint will bleed through most acrylic paints and ruin it.

I started the background and dancer by blocking in opposite colors of the sky and clothing.  This under painting improves the final color as the work progresses.  The dancer has a pink shirt and buckskin colored pants.  There are only a couple of small feathers, rather than the many feathers of the last Native American dancer I painted (scroll down to see that one).  I’ll add more photos as I make progress.

“Shadowbox” Wins Honorable Mention Award

My latest painting, Shadowbox, won an Honorable Mention ribbon at the 9th Annual Art at the Library show held by the Art Institute Group of the Merrimack Valley.

Two New Paintings Completed

I went back to my favorite subject, still life.  I had several of these objects in the studio.  The wood shoe, glass insulator and small black jar were found in antique shops, the birds and scissors were my Mother-in-law’s, and the Hot Wheel truck is my grandson’s.

The shadow box and other items were from my imiganation.  A fun painting to do with all the different surfaces and textures to paint.

Shadowbox
20 X 24, October, 2010
Acrylic on canvas
$650

I attended the ninth annual Native American Pow-wow in Haverhill, MA  on September 11, 2010 and got some great photos. This is a painting of Native American Head Dancer Don Barnaby.   There were several other dancers that I hope to paint in the future.

Native American Dancer Don Barnaby
20 X 24, October, 2010
Acrylic on canvas
$850

Taylor Sawmill Completed

Taylor Sawmill in Derry, New Hampshire, is a water powered, vertical sawmill and operates during the summer months.  It’s open two Saturdays a month, and when the water behind the dam is high enough to turn the overshot wheel.

Painting of Taylor Sawmill Started

I began a painting of the Taylor Sawmill in Derry NH. This is a water powered, vertical sawmill and operates two Saturdays a month when the water level is high enough. I began with a very smooth canvas and a monochrome painting of Burnt Sienna to work out the composition.

I have the sky, trees and dam roughed in; and I’m now making some structural corrections as I go along. This is one of those paintings that is going well right from the beginning. Stay tuned!

Iris Painting Complete

I finished the painting of the iris.  It is on a 20 x 24 canvas, and it is a departure from my usual style of painting.  I started with a canvas that had five coats of gesso spread on with a plastic spreader, sanded smooth after each coat was dry.

I used a series of very thin washes to build up the main flower, and a series of thin scumbles for the background trees and grasses.  I finished it off with several coats of clear acrylic matte finish.  I don’t think I used more than a tablespoon of paint for the whole work.  It has a silky smooth feel to the surface.

Working on an Iris

I started a painting of an iris that I photographed at the Ingram Senior Center.  I am using an ultra-smooth canvas with five coats of gesso rolled and scraped on.  Each coat was sanded after it was completely dry.

This is a departure from my usual method of painting.  I am applying very thin coats of acrylic paint on a pure white canvas with no under painting.  The white of the canvas is reflected through the thin coats of color.  I hope it works out well!

Murphy’s Chickens Completed

The painting of the Murphy’s Chickens is complete.  This was a fun piece to do, and I think I’ll try a couple of more chicken paintings.

Chicken Painting Added

A small portrait of one of the Murphy’s chickens has been added to Paintings, 2010.